︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00226
Exploring Mount Stuart on the Isle of Bute: neo-Gothicism with a lyrical score from Oisín Byrne
Will Jennings
Robert Rowand Anderson
,
Books
,
Bothy
,
Martin Boyce
,
Oisín Byrne
,
Chattel House
,
Sophie Crichton Stuart
,
Gaelic
,
Garden
,
Glasgow
,
Gothic
,
Gothic revival
,
Isle of Bute
,
Will Jennings
,
James Joyce
,
Landscape
,
Language
,
Library
,
Clarice Lispector
,
Thomas Mawson
,
Mount Stuart
,
Music
,
Neo-Gothic
,
Tennis court
,
Text
,
Translation
,
Alberta Whittle
,
Writing
00195
A spooky Martin Boyce retrospective at Fruitmarket & a spectre of Rennie Mackintosh
Jonathan McAloon
Art Nouveau
,
Baltic Centre for Contemporary Art
,
Martin Boyce
,
John Donne
,
Esther Schipper
,
Fire
,
Fruitmarket
,
Ghosts
,
Glasgow
,
Glasgow School of Art
,
Installation
,
Leaves
,
Charles Rennie Mackintosh
,
Jan and Joël Martel
,
Jonathan McAloon
,
Partition
,
Photography
,
Sculpture
,
Spook School
,
Turner Prize
,
Ventilation
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NEWSLETTER
INDEX
︎
Venice
Biennale 2025: part 3,
the 
