︎
In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts
An interview with Mike Nelson on architectural sculpture & the making of place
Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out
Will Jennings
Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
00226
Exploring Mount Stuart on the Isle of Bute: neo-Gothicism with a lyrical score from Oisín Byrne
Will Jennings
Robert Rowand Anderson
,
Books
,
Bothy
,
Martin Boyce
,
Oisín Byrne
,
Chattel House
,
Sophie Crichton Stuart
,
Gaelic
,
Garden
,
Glasgow
,
Gothic
,
Gothic revival
,
Isle of Bute
,
Will Jennings
,
James Joyce
,
Landscape
,
Language
,
Library
,
Clarice Lispector
,
Thomas Mawson
,
Mount Stuart
,
Music
,
Neo-Gothic
,
Tennis court
,
Text
,
Translation
,
Alberta Whittle
,
Writing
00195
A spooky Martin Boyce retrospective at Fruitmarket & a spectre of Rennie Mackintosh
Jonathan McAloon
Art Nouveau
,
Baltic Centre for Contemporary Art
,
Martin Boyce
,
John Donne
,
Esther Schipper
,
Fire
,
Fruitmarket
,
Ghosts
,
Glasgow
,
Glasgow School of Art
,
Installation
,
Leaves
,
Charles Rennie Mackintosh
,
Jan and Joël Martel
,
Jonathan McAloon
,
Partition
,
Photography
,
Sculpture
,
Spook School
,
Turner Prize
,
Ventilation
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