︎
Learning how to live at Venice Biennale
Rob Fiehn
The country’s newest stone circle has been created in Luton as a space for gathering & community
Will Jennings
An interview with Ronald Rael about 3d printed mud architecture at Desert X
Discover the culture & spaces that influence leading artists in a new book by Ben Luke
Mark Leckey & Arthur Jafa summon ghosts into an ever-shifting shopping centre
Ellie Brown
A celebration of post-war utopian architecture for the people in a new book from photographer Robert Clayton
00226
Exploring Mount Stuart on the Isle of Bute: neo-Gothicism with a lyrical score from Oisín Byrne
Will Jennings
Robert Rowand Anderson
,
Books
,
Bothy
,
Martin Boyce
,
Oisín Byrne
,
Chattel House
,
Sophie Crichton Stuart
,
Gaelic
,
Garden
,
Glasgow
,
Gothic
,
Gothic revival
,
Isle of Bute
,
Will Jennings
,
James Joyce
,
Landscape
,
Language
,
Library
,
Clarice Lispector
,
Thomas Mawson
,
Mount Stuart
,
Music
,
Neo-Gothic
,
Tennis court
,
Text
,
Translation
,
Alberta Whittle
,
Writing
00142
Material, form & process: Matt Rugg’s post-industrial sculptures
Will Jennings
Alvar Aalto
,
Apollo Pavilion
,
Assemblage
,
Cable
,
Chelsea School of Art
,
Cooling towers
,
Craft
,
Design
,
Education
,
Factories
,
Fencing
,
Richard Hamilton
,
Hatton Gallery
,
Industrial
,
Industry
,
Will Jennings
,
James Joyce
,
Metal
,
Merzbarn
,
Newcastle
,
Painting
,
Peterlee
,
Eduardo Paolozzi
,
Victor Pasmore
,
Plastic
,
Gerrit Rietveld
,
Matt Rugg
,
Kurt Schwitters
,
Sculpture
,
Steel
,
Tools
,
TS Eliot
,
Harriet Sutcliffe
,
University of Newcastle
,
Wire
,
Wood
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