︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00042
Being & looking in landscape: Ingrid Pollard’s archaeology
Will Jennings
Being
,
Capability Brown
,
Turner Contemporary
,
Cumbrian National Park
,
Farne Islands
,
James Hakewell
,
Jamaica
,
Lake District
,
Landscape
,
Looking
,
Picturesque
,
Photography
,
Ingrid Pollard
,
Race
,
Slavery
,
Turner Contemporary
,
Valentine and Sons
00026
Music from concrete: An interview with Alvaro Barrington
Alvaro Barrington
Will Jennings
David Adjaye
,
Alvaro Barrington
,
Sadie Coles
,
Caribbean
,
Concrete
,
Counterspace
,
Galerie Thaddaeus Ropac
,
Jamaica
,
Jazz
,
Matisse
,
Music
,
New York
,
Notting Hill Carnival
,
Paris
,
Painting
,
Tupac Shakur
,
Sumayya Vally
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