︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00172
Soulscapes: diasporic & emotional connections to landscape
Jelena Sofronijevic
Africa
,
Njideka Akunyili Crosby
,
Hurvin Anderson
,
Lisa Anderson
,
Black
,
Black Cultural Archives
,
Phoebe Boswell
,
Britain
,
Brixton
,
Diaspora
,
Kimathi Donkor
,
Dulwich Picture Gallery
,
EVEWRIGHT
,
Jermaine Francis
,
Isaac Julien
,
Christina Kimeze
,
Landscape
,
London
,
Che Lovelace
,
Kimathi Mafafo
,
Mónica de Miranda
,
Nengi Omuku
,
Ravelle Pillay
,
Ingrid Pollard
,
Jelena Sofronijevic
,
Bolanle Tajudeen
,
Van Gogh House
,
Alberta Whittle
00042
Being & looking in landscape: Ingrid Pollard’s archaeology
Will Jennings
Being
,
Capability Brown
,
Turner Contemporary
,
Cumbrian National Park
,
Farne Islands
,
James Hakewell
,
Jamaica
,
Lake District
,
Landscape
,
Looking
,
Picturesque
,
Photography
,
Ingrid Pollard
,
Race
,
Slavery
,
Turner Contemporary
,
Valentine and Sons
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