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recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00054
Intently observing shadows: Thomas Aquilina in conversation
Thomas Aquilina
Will Jennings
Thomas Aquilina
,
Book
,
Conversation
,
Emma Dent Coad
,
Design Museum
,
Ekow Eshun
,
Film
.
Gentrification
,
Grenfell Tower
,
Tayshan Hayden-Smith
,
Injustice
,
Kensington
,
Adrian Lahoud
,
London
,
Looking
,
North Kensington
,
Politics
,
Power
,
Recognition
,
Research
,
Text
,
Walking
,
Writing
00042
Being & looking in landscape: Ingrid Pollard’s archaeology
Will Jennings
Being
,
Capability Brown
,
Turner Contemporary
,
Cumbrian National Park
,
Farne Islands
,
James Hakewell
,
Jamaica
,
Lake District
,
Landscape
,
Looking
,
Picturesque
,
Photography
,
Ingrid Pollard
,
Race
,
Slavery
,
Turner Contemporary
,
Valentine and Sons
00017
Reading the rocks: Stonehenge, tools, time & memory
Jeremy Rye
British Museum
,
Craft
,
Looking
,
Material
,
Memory
,
Jeremy Rye
,
Stone
,
Stonehenge
,
Tools
00013
Vlatka Horvat’s collaged landscapes
Vlatka Horvat
Architecture
,
Collage
,
Covid
,
Lockdown
,
London
,
Looking
,
Photography
,
Lauren Elkin
,
Vlatka Horvat
,
Interview
,
PEER Gallery
,
Georges Perec
,
Performance
,
Sculpture
,
Video
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Venice
Biennale 2025: part 3,
the 
