︎
The John Soane x Minecraft collab that allows you to explore ancient architecture
Cerith Wyn Evans glows in MAAT, Lisbon
Will Jennings
Ursula K Le Guin’s speculative cartography
Sam Moore
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
00199
Grace Jones in Stockport: Dave Haslam’s DJ-infused writing on unexpected cultural histories
A Certain Ratio
,
Aviva Studios
,
Confingo Publishing
,
Paul Dobraszczyk
,
Hacienda
,
Dave Haslam
,
DJ
,
Russell Harty
,
Grace Jones
,
Liverpool
,
Madonna
,
Manchester
,
New York
,
Paris
,
Stockport
,
Writing
00101
Drawing a line from past to future: Norman Foster at the Centre Pompidou
Apple
,
Barn
,
Car
,
Umberto Boccioni
,
Constantin Brancusi
,
Richard Buckminster Fuller
,
Centre Pompidou
,
Computer
,
Diorama
,
Drawing
,
Engineering
,
Norman Foster
,
Foster + Partners
,
Birkin Haward
,
Helmut Jacoby
,
Steve Jobs
,
Sol Lewitt
,
University of Manchester
,
Frédéric Migayrou
,
Model
,
Paris
,
Pencil
,
Photography
,
Narinder Sagoo
,
Sketch
,
Sketchbook
,
Ai Weiwei
,
Windmill
,
Armstrong Yakubu
00092
Ian Kiaer’s oblique shift of the white cube gallery
Will Jennings
Alison Jacques
,
Venice Biennale
,
Jessie Brennan
,
Drawing Room
,
Foreign Office Architects
,
Geometry
,
Do Ho Suh
,
Installation
,
Ian Kiaer
,
Rem Koolhaas
,
NOX
,
Oblique
,
Oosterhuis Associates
,
OMA
,
Painting
,
Claude Parent
,
Paris
,
Perspex
,
Mike Rundell
,
Tanoa Sasraku
,
Emily Speed
,
Lars Spuybroek
,
Zaha Hadid Architects
00026
Music from concrete: An interview with Alvaro Barrington
Alvaro Barrington
Will Jennings
David Adjaye
,
Alvaro Barrington
,
Sadie Coles
,
Caribbean
,
Concrete
,
Counterspace
,
Galerie Thaddaeus Ropac
,
Jamaica
,
Jazz
,
Matisse
,
Music
,
New York
,
Notting Hill Carnival
,
Paris
,
Painting
,
Tupac Shakur
,
Sumayya Vally
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