︎
Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts













00199
Grace Jones in Stockport: Dave Haslam’s DJ-infused writing on unexpected cultural histories

A Certain Ratio, Aviva Studios, Confingo Publishing, Paul Dobraszczyk, Hacienda, Dave Haslam, DJ, Russell Harty, Grace Jones, Liverpool, Madonna, Manchester, New York, Paris, Stockport, Writing



00101
Drawing a line from past to future: Norman Foster at the Centre Pompidou

Apple, Barn, Car, Umberto Boccioni, Constantin Brancusi, Richard Buckminster Fuller, Centre Pompidou, Computer, Diorama, Drawing, Engineering, Norman Foster, Foster + Partners, Birkin Haward, Helmut Jacoby, Steve Jobs, Sol Lewitt, University of Manchester, Frédéric Migayrou, Model, Paris, Pencil, Photography, Narinder Sagoo, Sketch, Sketchbook, Ai Weiwei, Windmill, Armstrong Yakubu



00092
Ian Kiaer’s oblique shift of the white cube gallery  

Will Jennings

Alison Jacques, Venice Biennale, Jessie Brennan, Drawing Room, Foreign Office Architects, Geometry, Do Ho Suh, Installation, Ian Kiaer, Rem Koolhaas, NOX, Oblique, Oosterhuis Associates, OMA, Painting, Claude Parent, Paris, Perspex, Mike Rundell, Tanoa Sasraku, Emily Speed, Lars Spuybroek, Zaha Hadid Architects



00026
Music from concrete: An interview with Alvaro Barrington

Alvaro Barrington
Will Jennings

David Adjaye, Alvaro Barrington, Sadie Coles, Caribbean, Concrete, Counterspace, Galerie Thaddaeus Ropac, Jamaica, Jazz, Matisse, Music, New York, Notting Hill Carnival, Paris, Painting, Tupac Shakur, Sumayya Vally



   

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