︎
Power & photography: picturing architecture in the 19th century
Josh Allen
Julian Opie & a virtual extension of place
Will Jennings
Entangled bodies in a queer black domestic: Jonathan Lyndon Chase
Teshome Douglas-Campbell
Nyima Murry
Radical salvage: Mike Nelson at the Hayward Gallery
Paul Dobraszczyk
Imagining architecture: Assassin’s Creed & Anglo Saxon Wincestre
Geometry in place: Sam Jacobs & Wassef Boutros-Ghali
Will Jennings
00084
Geometry in place: Sam Jacobs & Wassef Boutros-Ghali
Will Jennings
The Arts Club
,
Betts Project
,
Wassef Boutros-Ghali
,
Le Corbusier
,
Egypt
,
Geometry
,
Graphic
,
House for Essex
,
Sam Jacob
,
Will Jennings
,
Landscape
,
Modernism
,
Neolithic
,
Painting
,
Stones
,
UN
,
UNESCO
00072
Ghosts in the machine for living in: exhibiting horror in architecture
Will Jennings
Robert Alexander
,
Birmingham
,
The Black Cat
,
Brutalism
,
Italo Calvino
,
Candyman
,
Castle of Otranto
,
Shezad Dawood
,
Demolition
,
Diagram
,
Ghost
,
Horror
,
Ikon
,
Invisible Cities
,
Boris Karloff
,
Béla Lugosi
,
Le Corbusier
,
Masterplan
,
Modern
,
Modernism
,
Richard Neutra
,
NT
,
Postcolonialism
,
Redevelopment
,
Ho Tzu Nyen
,
Amba Sayal-Bennett
,
Seher Shah
,
Vladimir Shukhov
,
Shukhov Tower
,
Monika Sosnowska
,
Strawberry Hill House
,
Unité d'Habitation
,
Uncanny
,
Urban planning
,
Horace Walpole
ABOUT
INDEX
︎
︎
Power & photography: picturing architecture in the 19th
century 
Julian Opie & a virtual extension of place
Entangled bodies in a queer black domestic: Jonathan Lyndon Chase
Geometry in place: Sam Jacobs & Wassef Boutros-Ghali
