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How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art

Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down













00253
At Somerset House a sculptural barrier by artists Hylozoic/Desires opens up rich research into salt, land & empire

Will Jennings

William Chambers, Colonialism, Desert X, Empire, Fabric, Graham Foundation, Great Salt Hedge, Hedge, Hylozoic/Desires, India, India Art Fair, India Office, Infrastructure, Inland Customs Line, Will Jennings, Cliff Lauson, Research, Salt, Salt Office, Salton Sea, Kinnari Saraiya, Sculpture, Sharjah Biennial, Himali Singh Soin, David Soin Tappeser, Somerset House, Sound, Staircase, Tate Britain, Termite, Wardian case



00192
Designing Empire: the architecture of Tropical Modernism

Matthew Maganga

Africa, Nana Biamah-Ofosu, Brise-soleil, British Empire, Nek Chand, Chandigarh, City, Climate, Colonial, Jane Drew, Maxwell Fry, Ghana, Imperial, India, Kwame Nkrumah Institute of Science and Technology, Le Corbusier, Matthew Maganga, E.T Mensah, Modernism, Jawaharlal Nehru, Nigeria, Kwame Nkrumah, Samia Kkrumah, John Owusu Addo, Pan-African Congress, Politics, Aditya Prakash, Justine Sambrook, Tropical Modernism, Christopher Turner, Urban, Venice Biennale, V&A, Victoria & Albert Museum, West Africa



00069
Artists crossing borders: Lawrence Abu Hamdan & Reena Saini Kallat

Will Jennings

Lawrence Abu Hamdan, Jarred Alterman. Birds, Border, Boundary, Cable, Canada, Collage, Compton Verney, Division, Drone, Film, Mahdi Fleifel, Guns, Haskell Free Library, India, Israel, River, Reena Saini Kallat, Mexico, Military, Opera House, Palestine, Pakistan, Spike Island, USA, Wire



   

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