︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00192
Designing Empire: the architecture of Tropical Modernism
Matthew Maganga
Africa
,
Nana Biamah-Ofosu
,
Brise-soleil
,
British Empire
,
Nek Chand
,
Chandigarh
,
City
,
Climate
,
Colonial
,
Jane Drew
,
Maxwell Fry
,
Ghana
,
Imperial
,
India
,
Kwame Nkrumah Institute of Science and Technology
,
Le Corbusier
,
Matthew Maganga
,
E.T Mensah
,
Modernism
,
Jawaharlal Nehru
,
Nigeria
,
Kwame Nkrumah
,
Samia Kkrumah
,
John Owusu Addo
,
Pan-African Congress
,
Politics
,
Aditya Prakash
,
Justine Sambrook
,
Tropical Modernism
,
Christopher Turner
,
Urban
,
Venice Biennale
,
V&A
,
Victoria & Albert Museum
,
West Africa
00130
Gathering land, food & tradition at the Eden Project
Will Jennings
Artemisia afra
,
Serge Attukwei Clottey
,
Acts of Gathering
,
Jonathan Baldock
,
Biodome
,
Jolyon Brewis
,
Corn
,
Cornwall
,
Democratic Republic of Congo
,
Eden Project
,
Ghana
,
Nicholas Grimshaw
,
Grimshaw and Partners
,
Harvest
,
Homowo
,
Land
,
Will Jennings
,
Jumana Manna
,
Medicine
,
Nature
,
Maria Nepomuceno
,
Uriel Orlow
,
Ritual
,
Nina Royle
,
Lucy Stein
00090
Histories collide with Todd Gray’s photographic portals
Baroque
,
Body
,
Colonialism
,
Fontainebleau
,
Ghana
,
History
,
Todd Gray
,
Michael Jackso
n,
Layering
,
Lehmann Maupin
,
Music
,
Nature
,
Nude
,
Photography
,
Race
,
Allan Sekula
,
Silhouette
,
Slavery
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︎
Venice
Biennale 2025: part 3,
the 
