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Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created

Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway

Robert Barry













00192
Designing Empire: the architecture of Tropical Modernism

Matthew Maganga

Africa, Nana Biamah-Ofosu, Brise-soleil, British Empire, Nek Chand, Chandigarh, City, Climate, Colonial, Jane Drew, Maxwell Fry, Ghana, Imperial, India, Kwame Nkrumah Institute of Science and Technology, Le Corbusier, Matthew Maganga, E.T Mensah, Modernism, Jawaharlal Nehru, Nigeria, Kwame Nkrumah, Samia Kkrumah, John Owusu Addo, Pan-African Congress, Politics, Aditya Prakash, Justine Sambrook, Tropical Modernism, Christopher Turner, Urban, Venice Biennale, V&A, Victoria & Albert Museum, West Africa



00130
Gathering land, food & tradition at the Eden Project

Will Jennings

Artemisia afra, Serge Attukwei Clottey, Acts of Gathering, Jonathan Baldock, Biodome, Jolyon Brewis, Corn, Cornwall, Democratic Republic of Congo, Eden Project, Ghana, Nicholas Grimshaw, Grimshaw and Partners, Harvest, Homowo, Land, Will Jennings, Jumana Manna, Medicine, Nature, Maria Nepomuceno, Uriel Orlow, Ritual, Nina Royle, Lucy Stein



00090
Histories collide with Todd Gray’s photographic portals

Baroque, Body, Colonialism, Fontainebleau, Ghana, History, Todd Gray, Michael Jackson, Layering, Lehmann Maupin, Music, Nature, Nude, Photography, Race, Allan Sekula,Silhouette, Slavery



   

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