︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00286
Mark Leckey & Arthur Jafa summon ghosts into an ever-shifting shopping centre
Ellie Brown
Ellie Brown
,
Gavin Brown
,
Commerce
,
Conditions
,
Croydon
,
Demolition
,
John Grindrod
,
Arthur Jafa
,
Mark Leckey
,
Rave
,
Redevelopment
,
Shops
,
Shopping Centre
,
Uncle
,
Whitgift Centre
00072
Ghosts in the machine for living in: exhibiting horror in architecture
Will Jennings
Robert Alexander
,
Birmingham
,
The Black Cat
,
Brutalism
,
Italo Calvino
,
Candyman
,
Castle of Otranto
,
Shezad Dawood
,
Demolition
,
Diagram
,
Ghost
,
Horror
,
Ikon
,
Invisible Cities
,
Boris Karloff
,
Béla Lugosi
,
Le Corbusier
,
Masterplan
,
Modern
,
Modernism
,
Richard Neutra
,
NT
,
Postcolonialism
,
Redevelopment
,
Ho Tzu Nyen
,
Amba Sayal-Bennett
,
Seher Shah
,
Vladimir Shukhov
,
Shukhov Tower
,
Monika Sosnowska
,
Strawberry Hill House
,
Unité d'Habitation
,
Uncanny
,
Urban planning
,
Horace Walpole
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INDEX
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Venice
Biennale 2025: part 3,
the 
