︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00286
Mark Leckey & Arthur Jafa summon ghosts into an ever-shifting shopping centre
Ellie Brown
Ellie Brown
,
Gavin Brown
,
Commerce
,
Conditions
,
Croydon
,
Demolition
,
John Grindrod
,
Arthur Jafa
,
Mark Leckey
,
Rave
,
Redevelopment
,
Shops
,
Shopping Centre
,
Uncle
,
Whitgift Centre
00218
A department store of eclectic collections: Hetain Patel’s Artangel archive
Artangel
,
Collection
,
Collection
,
Craft
,
Croydon
,
Department store
,
ET
,
Grants
,
Hobby
,
Hetain Patel
,
Polly Pocket
,
Pub
,
Royal Academy
,
Shop
,
Site specific
,
Summer Exhibition
,
Wetherspoons
,
Wunderkammer
00133
London’s socio-political modernism through photography
Veronica Simpson
Architectural Review
,
Peter Barstow
,
Ian Berry
,
Croydon
,
Deptford
,
Norman Foster
,
Gareth Gardner
,
Gareth Gardner Gallery
,
Tim George
,
Healthcare
,
Housing
,
Immigration
,
Lewisham
,
Tim Livsey
,
London
,
Manplan
,
Freddie Miller
,
Modernism
,
Danilo Murru
,
Newcastle
,
Stephen Parnell
,
Pepys Estate
,
Photography
,
Photojournalism
,
Planning
,
Preston bus garage
,
James Price
,
Tony Ray-Jones
,
RIBA
,
Schools
,
Veronica Simpson
,
Tom Smith
,
Socio-political
,
Tim Street-Porter
,
Patrick Ward
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