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You’re all invited to Jeremy Deller’s public party

Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created

Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings













00214
Chris Leslie’s studies of Glasgow before & after the Commonwealth Games

Bobby Jewell

Commonwealth Games, Dalmarnock, Demolition, Documentary, Gentrification, Glasgow, Bobby Jewell, Chris Leslie, Photography, Sport, Strange Field, Time



00149
Jenny Saville in her studio: A 2010 Beechwood Airship Interview

Dan Richards
Jenny Saville

Frank Auerbach, JG Ballard, Birth, Body, Canvas, Child, Demolition, Willem de Kooning, Richey Edwards, Gagosian, Human body, Huntarian Museum, Manic Street Preachers, Oxford, Paint, Painting, Palermo, Pregnancy, Radiohead, Dan Richards, Jenny Saville, Studio, The Beechwood Airship Interviews, Vincent van Gogh, Claire Walsh, Nicky Wire



00072
Ghosts in the machine for living in: exhibiting horror in architecture

Will Jennings

Robert Alexander, Birmingham, The Black Cat, Brutalism, Italo Calvino, Candyman, Castle of Otranto, Shezad Dawood, Demolition, Diagram, Ghost, Horror, Ikon, Invisible Cities, Boris Karloff, Béla Lugosi, Le Corbusier, Masterplan, Modern, Modernism, Richard Neutra, NT, Postcolonialism, Redevelopment, Ho Tzu Nyen, Amba Sayal-Bennett, Seher Shah, Vladimir Shukhov, Shukhov Tower, Monika Sosnowska, Strawberry Hill House, Unité d'Habitation, Uncanny, Urban planning, Horace Walpole



   

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