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Helmut Lang’s bodily sculptures speak to the fragility of LA’s Schindler House

Will Jennings

Despite everything, Valentina Karga invites us to be well at Kunstmuseum Bochum

Alison Hugill

An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian

Will Jennings

A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings

10 galleries you should know about from Miart 2025 in Milan













00214
Chris Leslie’s studies of Glasgow before & after the Commonwealth Games

Bobby Jewell

Commonwealth Games, Dalmarnock, Demolition, Documentary, Gentrification, Glasgow, Bobby Jewell, Chris Leslie, Photography, Sport, Strange Field, Time



00149
Jenny Saville in her studio: A 2010 Beechwood Airship Interview

Dan Richards
Jenny Saville

Frank Auerbach, JG Ballard, Birth, Body, Canvas, Child, Demolition, Willem de Kooning, Richey Edwards, Gagosian, Human body, Huntarian Museum, Manic Street Preachers, Oxford, Paint, Painting, Palermo, Pregnancy, Radiohead, Dan Richards, Jenny Saville, Studio, The Beechwood Airship Interviews, Vincent van Gogh, Claire Walsh, Nicky Wire



00072
Ghosts in the machine for living in: exhibiting horror in architecture

Will Jennings

Robert Alexander, Birmingham, The Black Cat, Brutalism, Italo Calvino, Candyman, Castle of Otranto, Shezad Dawood, Demolition, Diagram, Ghost, Horror, Ikon, Invisible Cities, Boris Karloff, Béla Lugosi, Le Corbusier, Masterplan, Modern, Modernism, Richard Neutra, NT, Postcolonialism, Redevelopment, Ho Tzu Nyen, Amba Sayal-Bennett, Seher Shah, Vladimir Shukhov, Shukhov Tower, Monika Sosnowska, Strawberry Hill House, Unité d'Habitation, Uncanny, Urban planning, Horace Walpole



   

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