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In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts

An interview with Mike Nelson on architectural sculpture & the making of place

Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out

Will Jennings

Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent

Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city

Will Jennings

 











00263
The book & exhibitions of Hélène Binet’s photographs of Jewish country houses

Hélène Binet, Book, Juliet Carey, Country house, Abigail Green, Baron Hermann de Stern, House, Jewish, Jewish Country Houses, Liebermann Villa, Neil MacGregor, Photography, Profile Editions, Mies van der Rohe, Strawberry Hill House, University of Oxford, Villa La Montesca, Villa Tugendhat, Waddesdon Manor, Frances Waldegrave, Horace Walpole



00190
Planting for a better future: Olivia Laing’s Garden Against Time

Tim Waterman

Benton End, Biodiversity, John Clare, Common land, Enclosure, Garden, Gardening, Fergus Garrett, Gay, Great Dixter, Homophobia, Derek Jarman, Labour, Olivia Laing, Landscape, LGBTQ, Claude Lorraine, John Milton, Cedric Morris, William Morris, Nature, Ian Patterson, Politics, Prospect Cottage, Queer, Rewilding, Mark Rumary, WG Sebald, Suffolk, Donald Trump, Utopia, Tim Waterman, Horace Walpole



00072
Ghosts in the machine for living in: exhibiting horror in architecture

Will Jennings

Robert Alexander, Birmingham, The Black Cat, Brutalism, Italo Calvino, Candyman, Castle of Otranto, Shezad Dawood, Demolition, Diagram, Ghost, Horror, Ikon, Invisible Cities, Boris Karloff, Béla Lugosi, Le Corbusier, Masterplan, Modern, Modernism, Richard Neutra, NT, Postcolonialism, Redevelopment, Ho Tzu Nyen, Amba Sayal-Bennett, Seher Shah, Vladimir Shukhov, Shukhov Tower, Monika Sosnowska, Strawberry Hill House, Unité d'Habitation, Uncanny, Urban planning, Horace Walpole



   

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