recessed.space

Helmut Lang’s bodily sculptures speak to the fragility of LA’s Schindler House

Will Jennings

Despite everything, Valentina Karga invites us to be well at Kunstmuseum Bochum

Alison Hugill

An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian

Will Jennings

A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings

10 galleries you should know about from Miart 2025 in Milan

RESOLVE have created a collage of collaboration for Tate Liverpool & RIBA North

Bobby Jewell

6a architects, Arts Council England, Aspen Yard, Attitude Dance, Broadway Malyan, The Barbican Centre, Darren Brady, Community, Construction, Jana Dardouk, DIY, DoES Liverpool, Lauren-Loïs Duah, Ecosystem, Granby Workshop, Melissa Haniff, Jesse Hartley, Homebaked Community Land Trust, Nina Jang, Bobby Jewell, Kitty’s Launderette, Liverpool, Lockers, Mann Island, Network, Pagoda Arts, Palestine, Redistribution, Reuse, RESOLVE, RIBA North, Royal Albert Dock, Rule of Threes, Akil Scafe-Smith, Seth Scafe-Smith, Mark Simmonds, Stickers, Squash Liverpool, James Stirling, Stoneycroft Secret Garden, Tate & Lyle, Tate Liverpool, Toxteth Seed Library, Vauxhall Law Centre, Waste, Michael Wilford, Oprah Winfrey, Workers

Maurice Broomfield’s Industrial Sublime: in conversation with Martin Barnes

Lara Chapman
Martin Barnes

Archive, Martin Barnes, Maurice Broomfield, Labour, Lara Chapman, Collection, Industry, Oil rig, Photography, Post industrial, Power station, Sublime, V&A, Victoria and Albert Museum, Workers

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