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Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
An interview with Derrick Adams on the spaces of Black America
A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale
Rob Fiehn
The country’s newest stone circle has been created in Luton as a space for gathering & community
Will Jennings
00292
A visit to Hauser & Wirth LA: architecture, gardens, food & art
Arts District
,
Art Farm
,
Bookshop
,
Chickens
,
Community
,
Creative Space
,
Downtown
,
Education
,
Gallery
,
Garden
,
Globe Grain & Milling
,
David Hammons
,
Hauser & Wirth
,
LA
,
Los Angeles
,
Manuela
,
Post-industrial
,
Evan Raabe
,
Restaurant
,
George Rouy
,
Seldorf Architects
,
Anabelle Selldorf
,
Studio MLA
,
Kris Tominag
,
Ursula
,
Matt Winter
,
Carlo Zambon
00098
E-WERK Luckenwalde: a powerful arts centre for the future
Will Jennings
Anthropocene
,
Art centre
,
Berlin
,
CIRCA
,
Agnes Denes
,
East Germany
,
Einstürzende Neubauten
,
Electricity
,
E-WERK
,
FM Einheit
,
Kira Freije
,
Gallery
,
Germany
,
Industry
,
Infrastructure
,
Will Jennings
,
Kunststrom
,
Luckenwalde
,
Luma Arles
,
Machinery
,
Erich Mendelsohn
,
Network
,
Performance
,
Post-industrial
,
Power
,
Power station
,
Rupert
,
Stadtbad
,
Sound art
,
The Sun and the Sea
,
Samuel Treindl
,
Helen Turner
,
Pablo Wendel
00063
Maurice Broomfield’s Industrial Sublime: in conversation with Martin Barnes
Lara Chapman
Martin Barnes
Archive
,
Martin Barnes
,
Maurice Broomfield
,
Labour
,
Lara Chapman
,
Collection
,
Industry
,
Oil rig
,
Photography
,
Post industrial
,
Power station
,
Sublime
,
V&A
,
Victoria and Albert Museum
,
Workers
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