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Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
An interview with Derrick Adams on the spaces of Black America
A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale
Rob Fiehn
00183
Models for a new society: Enzo Mari at the Design Museum
Artemide
,
Children
,
Communism
,
Consumerism
,
Design
,
Design Museum
,
Drawing
,
Furniture
,
Games
,
Francesca Giacomelli
,
Goose
,
Graphics
,
Humour
,
Labour
,
Enzo Mari
,
Material
,
Milan
,
Hans Ulrich Obrist
,
Politics
,
Product
,
Scale
,
Toys
,
Triennale Milano
,
Workers
00095
12 top picks from Milan’s miart art fair
Yuri Ancarani
,
Archeology
,
Art fair
,
Bel Ami
,
Ruth Beraha
,
Pedro Cabrita Reis
,
Duilo Cambellotti
,
Concrete
,
Marcus Cope
,
Copetti Antiquari
,
Crack
,
Curtain
,
Destruction
,
Dreams
,
Dušan Džamonja
,
eastcontemporary
,
Film
,
Darren Flook Gallery
,
Andrea Francolino
,
Galleria Fumagalli
,
Gian Marco Casini Gallery
,
Glass
,
Glendale
,
Olivia Hill
,
Illustration
,
Installation
,
Emilia Kina
,
Landscape
,
Los Angeles
,
Mai 36 Galleri
,
Mazzoleni
,
miart
,
Milan
,
Margherita Moscardini
,
Model
,
William Morris
,
Mosque
,
Nature
,
Ncontemporary
,
Opera
,
PAC
,
Padiglione d’Arte Contemporanea
,
Painting
,
Photography
,
Anne and Patrick Poirier
,
Primo Marrella Gallery
,
Psychology
,
Ruin
,
Sand
,
Sandcastle
,
San Siro
,
Sculpture
,
Stadium
,
Stage
,
Stained glass
,
Urban
,
Paul Virilio
,
He Wei
,
Window
,
Wood
,
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