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The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00141
Active laziness & creative pleasure: Hélio Oiticica at the De La Warr Pavilion
Lara Chapman
Beach
,
Bexhill-on-Sea
,
Brazil
,
Lara Chapman
,
Serge Chermayeff
,
Cocaine
,
Corridor
,
Creleisure
,
Criticism
,
Curtain
,
Neville D’Almeida
,
De La Warr Pavilion
,
Drug wars
,
East Sussex
,
Hammock
,
Labyrinth
,
Laziness
,
Leisure
,
Lights
,
Maze
,
Erich Mendelsohn
,
News
,
Hélio Oiticica
,
Jimmi Hendrix
,
Orange juice
,
Participant
,
Passivity
,
Plastic
,
Pleasure
,
Politics
,
Sculpture
,
Structure
,
Sussex Modern
,
Work
00063
Maurice Broomfield’s Industrial Sublime: in conversation with Martin Barnes
Lara Chapman
Martin Barnes
Archive
,
Martin Barnes
,
Maurice Broomfield
,
Labour
,
Lara Chapman
,
Collection
,
Industry
,
Oil rig
,
Photography
,
Post industrial
,
Power station
,
Sublime
,
V&A
,
Victoria and Albert Museum
,
Workers
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