︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00183
Models for a new society: Enzo Mari at the Design Museum
Artemide
,
Children
,
Communism
,
Consumerism
,
Design
,
Design Museum
,
Drawing
,
Furniture
,
Games
,
Francesca Giacomelli
,
Goose
,
Graphics
,
Humour
,
Labour
,
Enzo Mari
,
Material
,
Milan
,
Hans Ulrich Obrist
,
Politics
,
Product
,
Scale
,
Toys
,
Triennale Milano
,
Workers
00078
Danielle Brathwaite-Shirley: worldbuilding a cyberpunk playground
Will Jennings
The Bandidos
,
Bus stop
,
Computer
,
Cyberpunk
,
Danielle Brathwaite-Shirley
,
Cities
,
Digital
,
Environment
,
FACT
,
Games
,
Immersive
,
Liverpool
,
Mediation
,
Participation
,
Politics
,
Rollercoaster
,
Swings
,
Urban
,
Video games
,
Youth
,
Youth club
00052
A flâneur in uncanny valley: traversing the digital landscape
Cory Arcangel
,
Archaeology
,
Rowland Atkinson
,
Capability Brown
,
Alan Butler
,
Computer games
,
Digital
,
Games
,
Lorna Ruth Galloway
,
Grand Theft Auto V
,
GTA V
,
Roc Herms
,
Landscape
,
Los Santos
,
Mario
,
Joan Pamboukes
,
Play
,
SNES
,
Tabor Robak
,
Rockstar
,
Route 66
,
Ed Ruscha
,
Tank man
,
The Photographers Gallery
,
Tiananmen Square
,
Twentysix Gasoline Stations
,
Uncanny valley
,
Video games
,
Ai Weiwei
,
Paul Willis
00043
Venice Biennale: Creative games with Francis Alÿs
Afghanistan
,
Francis Alÿs
,
Belgian Pavilion
,
Belgium
,
City
,
Children
,
DR Congo
,
Games
, H
ong Kong
,
Iraq
,
Islamic State
,
Lithium
,
Mexico
,
Play
,
Painting
,
Venice
,
Venice Biennale
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Venice
Biennale 2025: part 3,
the 
