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Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery
Rob Fiehn
From Bauhaus to birdhouse: world famous architects’ avian designs for charity
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Manchester International Festival: finding culture in the city
Will Jennings
Aviva Studios
,
Angie Bual
,
Art centre
,
Biennial
,
Currency
,
Economics
,
Factory International
,
Ryan Gander
,
Will Jennings
,
Manchester
,
Manchester International Festival
, J
uan Mata
,
Mayfield Park
,
OMA
,
Pumpkins
,
Ritual
,
River Medlock
,
Performance
,
Ryuichi Sakamoto
,
Soan River
,
Studio Egret West
,
Risham Syed
,
Tentacles
,
The Factory
,
Tin Drum
,
Tino Sehgal
,
Yayoi Kusama
,
Ellen van Loon
,
Water
,
Whitworth
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E-WERK Luckenwalde: a powerful arts centre for the future
Will Jennings
Anthropocene
,
Art centre
,
Berlin
,
CIRCA
,
Agnes Denes
,
East Germany
,
Einstürzende Neubauten
,
Electricity
,
E-WERK
,
FM Einheit
,
Kira Freije
,
Gallery
,
Germany
,
Industry
,
Infrastructure
,
Will Jennings
,
Kunststrom
,
Luckenwalde
,
Luma Arles
,
Machinery
,
Erich Mendelsohn
,
Network
,
Performance
,
Post-industrial
,
Power
,
Power station
,
Rupert
,
Stadtbad
,
Sound art
,
The Sun and the Sea
,
Samuel Treindl
,
Helen Turner
,
Pablo Wendel
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Venice
Biennale 2025: part 2,
the b
Venice
Biennale 2025: part 1,
the good
