︎
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
00109
Manchester International Festival: finding culture in the city
Will Jennings
Aviva Studios
,
Angie Bual
,
Art centre
,
Biennial
,
Currency
,
Economics
,
Factory International
,
Ryan Gander
,
Will Jennings
,
Manchester
,
Manchester International Festival
, J
uan Mata
,
Mayfield Park
,
OMA
,
Pumpkins
,
Ritual
,
River Medlock
,
Performance
,
Ryuichi Sakamoto
,
Soan River
,
Studio Egret West
,
Risham Syed
,
Tentacles
,
The Factory
,
Tin Drum
,
Tino Sehgal
,
Yayoi Kusama
,
Ellen van Loon
,
Water
,
Whitworth
00081
UnLearning with Scotland’s Architecture Fringe
Architecture Fringe
,
Biennial
,
Collaboration
,
Community
,
Edinburgh
,
Education
,
Evolution
,
Festival
,
Land
,
Migrant’s Bureau
,
NOOMA
,
Play
,
Publication
,
Revolution
,
Tottenham
,
Union Canal
,
Unlearning
,
Value
,
Race
,
Scotland
TRAVEL
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NEWSLETTER
INDEX
︎
Venice
Biennale 2025: part 3,
the 
