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You’re all invited to Jeremy Deller’s public party
Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created
Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale
Will Jennings
00098
E-WERK Luckenwalde: a powerful arts centre for the future
Will Jennings
Anthropocene
,
Art centre
,
Berlin
,
CIRCA
,
Agnes Denes
,
East Germany
,
Einstürzende Neubauten
,
Electricity
,
E-WERK
,
FM Einheit
,
Kira Freije
,
Gallery
,
Germany
,
Industry
,
Infrastructure
,
Will Jennings
,
Kunststrom
,
Luckenwalde
,
Luma Arles
,
Machinery
,
Erich Mendelsohn
,
Network
,
Performance
,
Post-industrial
,
Power
,
Power station
,
Rupert
,
Stadtbad
,
Sound art
,
The Sun and the Sea
,
Samuel Treindl
,
Helen Turner
,
Pablo Wendel
00086
Radical salvage: Mike Nelson at the Hayward Gallery
Paul Dobraszczyk
Asset strippers
,
JG Ballard
,
Hakim Bey,
Capitalism
,
Decay
,
Paul Dobraszczyk
,
Extinction
,
Extinction Beckons
,
Hayward Gallery
,
Industrial
,
Industry
,
Installation
,
Stanisław Lem
,
Machinery
,
Marxism
,
China Miéville
,
Mike Nelson
,
Pirates
,
Politics
,
Post-apocalyptic,
Marcus Rediker
,
Ruin
,
Salvage
,
Sculpture
,
Robert Smithson
,
Arkady and Boris Strugatsky
,
Temporary Autonomous Zones
,
John Turner
,
Evan Calder Williams
,
Peter Lamborn Wilson
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