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A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art

Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner













00098
E-WERK Luckenwalde: a powerful arts centre for the future

Will Jennings

Anthropocene, Art centre, Berlin, CIRCA, Agnes Denes, East Germany, Einstürzende Neubauten, Electricity, E-WERK, FM Einheit, Kira Freije,Gallery, Germany, Industry, Infrastructure, Will Jennings, Kunststrom,Luckenwalde, Luma Arles, Machinery, Erich Mendelsohn, Network, Performance,Post-industrial, Power, Power station, Rupert, Stadtbad, Sound art, The Sun and the Sea, Samuel Treindl, Helen Turner, Pablo Wendel



00086
Radical salvage: Mike Nelson at the Hayward Gallery

Paul Dobraszczyk

Asset strippers, JG Ballard, Hakim Bey, Capitalism, Decay, Paul Dobraszczyk, Extinction, Extinction Beckons, Hayward Gallery, Industrial,Industry, Installation, Stanisław Lem, Machinery, Marxism, China Miéville, Mike Nelson, Pirates, Politics, Post-apocalyptic, Marcus Rediker, Ruin, Salvage, Sculpture,Robert Smithson, Arkady and Boris Strugatsky, Temporary Autonomous Zones, John Turner, Evan Calder Williams, Peter Lamborn Wilson



   

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