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An interview with Sumayya Vally on architecture, community & Ibraaz

Swinging in the gallery: art meets golf at Battersea Arts Centre

An interview with Lord Cholmondeley on Houghton Hall’s history & future of contemporary art


Will Jennings

Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
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Will Jennings

Curiosity triggered: Daiga Grantina’s sculptures dance with architecture at the Mead Gallery

Isabel de Vasconcellos
The Grand in Folkestone: ambitions plans for a Barbican-by-the-sea

Will Jennings










00098
E-WERK Luckenwalde: a powerful arts centre for the future

Will Jennings

Anthropocene, Art centre, Berlin, CIRCA, Agnes Denes, East Germany, Einstürzende Neubauten, Electricity, E-WERK, FM Einheit, Kira Freije,Gallery, Germany, Industry, Infrastructure, Will Jennings, Kunststrom,Luckenwalde, Luma Arles, Machinery, Erich Mendelsohn, Network, Performance,Post-industrial, Power, Power station, Rupert, Stadtbad, Sound art, The Sun and the Sea, Samuel Treindl, Helen Turner, Pablo Wendel



00086
Radical salvage: Mike Nelson at the Hayward Gallery

Paul Dobraszczyk

Asset strippers, JG Ballard, Hakim Bey, Capitalism, Decay, Paul Dobraszczyk, Extinction, Extinction Beckons, Hayward Gallery, Industrial,Industry, Installation, Stanisław Lem, Machinery, Marxism, China Miéville, Mike Nelson, Pirates, Politics, Post-apocalyptic, Marcus Rediker, Ruin, Salvage, Sculpture,Robert Smithson, Arkady and Boris Strugatsky, Temporary Autonomous Zones, John Turner, Evan Calder Williams, Peter Lamborn Wilson



   

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