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Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale
Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art
Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art
Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity
Barney Pau
00251
The origins & afterlife of tarot & the Warburg Institute
Will Jennings
Theodor Adorno
,
Walter Benjamin
,
Maria Balshaw
,
Bloomsbury
,
Italo Calvino
,
Pamela Colman Smith
,
Aleister Crowley
,
Albert Einstein
,
Ellipse
,
Esoteric
,
Frankfurt
,
Edward George
,
Ernst Gombrich
,
Frieda Harris
,
Graham Haworth
,
Haworth Tompkins
,
Katy Hessel
,
Charles Holden
,
Will Jennings
,
Library
,
London
,
London Library
,
Abu Mashar
,
Nazi Germany
,
Occult
,
Austin Osman Spare
,
Plastique Fantastique
,
Research
,
Tarot
,
Tarot cards
,
Suzanne Treister
,
University of London
,
Visual culture
,
AE Waite
,
John Walter
,
Aby Warburg
,
Warburg Institute
00050
Echoing the architecture: Trevor Mathison’s sculpted sound
Robert Barry
Martina Attille
,
Reece Auguiste
,
John Akomfrah
,
Assemble
,
Robert Barry
,
Maureen Blackwood
,
Appau Jnr Boakye-Yiadom
,
Ceddo Film and Video Workshop
,
Collage
,
Dubmorphology
,
Film
,
Oliver Fuke
,
Edward George
,
Goldsmiths CCA
,
Lina Gopaul
,
Handsworth Songs
,
Isaac Julien
,
Nadine Marsh-Edwards
,
Trevor Mathison
,
Music
,
Patina
,
Recording
,
Sankofa Film and Video Collective
,
Gary Stewart
,
Sonic
,
Sound
,
Strata
,
Paloma Strelitz
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