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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
ugly

Venice Biennale 2025: part 2, the b
ad

Venice Biennale 2025: part 1, the good











00251
The origins & afterlife of tarot & the Warburg Institute

Will Jennings

Theodor Adorno, Walter Benjamin, Maria Balshaw, Bloomsbury, Italo Calvino, Pamela Colman Smith, Aleister Crowley, Albert Einstein, Ellipse, Esoteric, Frankfurt, Edward George, Ernst Gombrich, Frieda Harris, Graham Haworth, Haworth Tompkins, Katy Hessel, Charles Holden, Will Jennings, Library, London, London Library, Abu Mashar, Nazi Germany, Occult, Austin Osman Spare, Plastique Fantastique, Research, Tarot, Tarot cards, Suzanne Treister, University of London, Visual culture, AE Waite, John Walter, Aby Warburg, Warburg Institute



   

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