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Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings













00251
The origins & afterlife of tarot & the Warburg Institute

Will Jennings

Theodor Adorno, Walter Benjamin, Maria Balshaw, Bloomsbury, Italo Calvino, Pamela Colman Smith, Aleister Crowley, Albert Einstein, Ellipse, Esoteric, Frankfurt, Edward George, Ernst Gombrich, Frieda Harris, Graham Haworth, Haworth Tompkins, Katy Hessel, Charles Holden, Will Jennings, Library, London, London Library, Abu Mashar, Nazi Germany, Occult, Austin Osman Spare, Plastique Fantastique, Research, Tarot, Tarot cards, Suzanne Treister, University of London, Visual culture, AE Waite, John Walter, Aby Warburg, Warburg Institute



00044
Goldsmiths degree show: the highlights

Will Alsop, Anthropocene, Archaeology, Baking, Tom Bull, Bones, Ceramics, Concrete, Degree show, Pascal Marcel Dreier, Ecology, Far right, Film, Flour, Foreshore, Ali Glover, Goldsmiths College, Grain, Homosexuality, Horticulture, Industrial, Installation, Jean-François Krebs, Luxury, Chris MacInnes, Marble, Monster, Mundanity, Notes, Office, Painting, Barney Pau, Queer, Rural, Sheffield, Thatch, Trauma, Trompe l'oeil. Jacob George Wilson, Scott Young, Sculpture, Sound, Thames, University of London, Video, Anna Wachsmuth, Warehouse



   

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