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Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery
Rob Fiehn
From Bauhaus to birdhouse: world famous architects’ avian designs for charity
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Christo wrappings within a Georgian townhouse: an interview with curator Elena Geuna
Will Jennings
Camus
,
Centre Pompidou
,
Christo
,
Domestic
,
Christo
,
Conceal
,
Exhibition
,
Jeanne-Claude
,
Frieze London
,
Lucio Fontana
,
Gagosian
,
Gagosian Open
,
Georgian
,
Elena Geuna
,
Immigration
,
Will Jennings
,
London
,
Monumental
,
Scale
,
Sculpture
,
Spitalfields
,
Stranger
,
Travel
,
Unconscious
,
Wrapping
00075
Weaving old with new at Thomas Gainsborough’s house
Will Jennings
Brick
,
Crinkle crankle wall
,
John Constable
,
Robert Davey
,
Flint
,
Thomas Gainsborough
,
Gallery
,
Georgian
,
Maggi Hambling
,
Will Jennings
,
Landscape
,
Cedric Morris
,
Museum
,
Phoebus Foundation
,
Portrait
,
Ignatius Sancho
,
Silk
,
Sudbury
,
Suffolk
,
Weaving
,
ZMMA
TRAVEL
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INDEX
︎
Venice
Biennale 2025: part 2,
the b
Venice
Biennale 2025: part 1,
the good
