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recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the ugly

Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good

Temporary & permanent culture finds a place in Middlesbrough

Will Jennings

The recessed.space highlights from Frieze Art Fair 2025











00275
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau

Creeping, Domestic, Sam Godfrey, House of Annetta, LGBTQ, Ruby Loewe, Barney Pau, Annetta Pedretti, Rose Schmits, Spitalfields, Marf Summers, Trans, Transgender, Queer



00245
Public Gallery’s new expansion celebrates the architectural fabric of Spitalfields

Igshaan Adams, Awning, Danielle Brathwaite-Shirley, Greg Carideo, Edwin George Chandler, Harry Dougall, Mandy El-Sayegh, Nicole Estilo Kaiser, Fabric, Ignacia Gatica, Kyriaki Goni, Alex Harrison, Housing estate, Steph Huang, Martins & Montero, Ana Mazzei, Rose Nestler, Public Gallery, Rebecca Sharp, Shop, Spitalfields, Textiles, The Breeder, Threshold, Vogue Fabrics



00136
Christo wrappings within a Georgian townhouse: an interview with curator Elena Geuna

Will Jennings

Camus, Centre Pompidou, Christo, Domestic, Christo, Conceal, Exhibition, Jeanne-Claude, Frieze London, Lucio Fontana, Gagosian, Gagosian Open, Georgian, Elena Geuna, Immigration, Will Jennings, London, Monumental, Scale, Sculpture, Spitalfields, Stranger, Travel, Unconscious, Wrapping



00073
The theatrical overdose of Maison Colbert

Wes Anderson, Archaeology, Buchanan Studio, Charlotte Colbert, Maison Colbert, Philip Colbert, Giorgio de Chirico, Chris Dyson Architects, Gallery, Spitalfields, Nature, Sculpture, Theatre



   

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