︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00190
Planting for a better future: Olivia Laing’s Garden Against Time
Tim Waterman
Benton End
,
Biodiversity
,
John Clare
,
Common land
,
Enclosure
,
Garden
,
Gardening
,
Fergus Garrett
,
Gay
,
Great Dixter
,
Homophobia
,
Derek Jarman
,
Labour
,
Olivia Laing
,
Landscape
,
LGBTQ
,
Claude Lorraine
,
John Milton
,
Cedric Morris
,
William Morris
,
Nature
,
Ian Patterson
,
Politics
,
Prospect Cottage
,
Queer
,
Rewilding
,
Mark Rumary
,
WG Sebald
,
Suffolk
,
Donald Trump
,
Utopia
,
Tim Waterman
,
Horace Walpole
00075
Weaving old with new at Thomas Gainsborough’s house
Will Jennings
Brick
,
Crinkle crankle wall
,
John Constable
,
Robert Davey
,
Flint
,
Thomas Gainsborough
,
Gallery
,
Georgian
,
Maggi Hambling
,
Will Jennings
,
Landscape
,
Cedric Morris
,
Museum
,
Phoebus Foundation
,
Portrait
,
Ignatius Sancho
,
Silk
,
Sudbury
,
Suffolk
,
Weaving
,
ZMMA
TRAVEL
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︎
Venice
Biennale 2025: part 3,
the 
