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Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent

Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city

Will Jennings
An interview with Derrick Adams on the spaces of Black America
A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale

Rob Fiehn












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Weaving old with new at Thomas Gainsborough’s house

Will Jennings

Brick, Crinkle crankle wall, John Constable, Robert Davey, Flint, Thomas Gainsborough, Gallery, Georgian, Maggi Hambling, Will Jennings, Landscape, Cedric Morris, Museum, Phoebus Foundation, Portrait, Ignatius Sancho, Silk, Sudbury, Suffolk, Weaving, ZMMA



   

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