︎
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
00129
From Kinga Oktabska’s studio: fragmented landscapes & found histories
Kinga Oktabska
Battersea
,
Brick
,
Community
,
Development
,
Drawing
,
Factory
,
Fragments
,
Gentrification
,
Hypha Studios
,
Landscape
,
Lower Silesia
,
Metalpoint
,
Mudlarking
,
Nine Elms
,
Kinga Oktabska
,
Pebbles
,
Pipes
,
Poland
,
Porcelain
,
Property
,
River
,
River Thames
,
Rubble
,
Silk
,
Stories
,
Studio
,
Thames
,
Tide
,
Pawel Tomaszewski
,
Waste
00108
London Design Biennale: building culture in Bidi Bidi
Arup
,
Bidi Bidi
,
Brick
,
Hassell Studio
,
Local Works
,
Music
,
Refugee
,
London Design Biennale
,
Rainwater
,
Refugee settlement
,
Sudan
,
to.org
,
Uganda
,
Water
00075
Weaving old with new at Thomas Gainsborough’s house
Will Jennings
Brick
,
Crinkle crankle wall
,
John Constable
,
Robert Davey
,
Flint
,
Thomas Gainsborough
,
Gallery
,
Georgian
,
Maggi Hambling
,
Will Jennings
,
Landscape
,
Cedric Morris
,
Museum
,
Phoebus Foundation
,
Portrait
,
Ignatius Sancho
,
Silk
,
Sudbury
,
Suffolk
,
Weaving
,
ZMMA
00065
Seduction & destruction: the paintings of Caragh Thuring
Will Wiles
Brick
,
Caragh Thuring
,
Cold War
,
Hastings Contemporary
,
Industry
,
Grand Tour
,
Landscape
,
Lava
,
Material
,
Matter
,
Painting
,
Sex
,
Submarine
,
Thomas Dane Gallery
,
Volcano
,
Wall
,
Will Wiles
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Venice
Biennale 2025: part 3,
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