︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00129
From Kinga Oktabska’s studio: fragmented landscapes & found histories
Kinga Oktabska
Battersea
,
Brick
,
Community
,
Development
,
Drawing
,
Factory
,
Fragments
,
Gentrification
,
Hypha Studios
,
Landscape
,
Lower Silesia
,
Metalpoint
,
Mudlarking
,
Nine Elms
,
Kinga Oktabska
,
Pebbles
,
Pipes
,
Poland
,
Porcelain
,
Property
,
River
,
River Thames
,
Rubble
,
Silk
,
Stories
,
Studio
,
Thames
,
Tide
,
Pawel Tomaszewski
,
Waste
00118
Leonor Antunes: a frisson of form from the modernist archive
Lottie Whalen
Leonor Antunes
,
Archive
,
Bamboo
,
Bauhaus
,
Renu Bora
,
Cork
,
Briony Fer
,
Fruitmarket
,
Gossamer
,
Eileen Grey
,
Greta Grossman
,
Trude Guermonprez
,
Leslie Martin
,
Modernism
,
Alastair Morton
,
Marian Pepler
,
Charlotte Perriand
,
Pineapple leather
,
Rope
,
Rush
,
Sculpture
,
Eve Kosofsky Sedgwick
,
Silk
,
Sophie Taeuber-Arp
,
Sadie Speight
,
Texxture
,
Lottie Whalen
,
Women
00075
Weaving old with new at Thomas Gainsborough’s house
Will Jennings
Brick
,
Crinkle crankle wall
,
John Constable
,
Robert Davey
,
Flint
,
Thomas Gainsborough
,
Gallery
,
Georgian
,
Maggi Hambling
,
Will Jennings
,
Landscape
,
Cedric Morris
,
Museum
,
Phoebus Foundation
,
Portrait
,
Ignatius Sancho
,
Silk
,
Sudbury
,
Suffolk
,
Weaving
,
ZMMA
TRAVEL
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︎
Venice
Biennale 2025: part 3,
the 
