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Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts













00129
From Kinga Oktabska’s studio: fragmented landscapes & found histories

Kinga Oktabska 

Battersea, Brick, Community, Development, Drawing, Factory, Fragments, Gentrification, Hypha Studios, Landscape, Lower Silesia, Metalpoint, Mudlarking, Nine Elms, Kinga Oktabska, Pebbles, Pipes, Poland, Porcelain, Property, River, River Thames, Rubble, Silk, Stories, Studio, Thames, Tide, Pawel Tomaszewski, Waste



00118
Leonor Antunes: a frisson of form from the modernist archive

Lottie Whalen

Leonor Antunes, Archive, Bamboo, Bauhaus, Renu Bora, Cork, Briony Fer, Fruitmarket, Gossamer, Eileen Grey, Greta Grossman, Trude Guermonprez, Leslie Martin, Modernism, Alastair Morton, Marian Pepler, Charlotte Perriand, Pineapple leather, Rope, Rush, Sculpture, Eve Kosofsky Sedgwick, Silk, Sophie Taeuber-Arp, Sadie Speight, Texxture, Lottie Whalen, Women



00075
Weaving old with new at Thomas Gainsborough’s house

Will Jennings

Brick, Crinkle crankle wall, John Constable, Robert Davey, Flint, Thomas Gainsborough, Gallery, Georgian, Maggi Hambling, Will Jennings, Landscape, Cedric Morris, Museum, Phoebus Foundation, Portrait, Ignatius Sancho, Silk, Sudbury, Suffolk, Weaving, ZMMA



   

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