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A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art

Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner













00202
Venice Biennale: Osman Yousefzada’s Palazzo for Immigrants

Hadeel Eltayeb

Hadeel Eltayeb, Fashion, Fondazione Berengo, Glass, Home, Hospitality, Immigration, Knots, Labour, Midlands, Mother, Murano, Production, Nadja Romain, Amin Jaffer, Palazzo Franchetti, Venice Biennale, Victoria & Albert Museum, Osman Yousefzada



00136
Christo wrappings within a Georgian townhouse: an interview with curator Elena Geuna

Will Jennings

Camus, Centre Pompidou, Christo, Domestic, Christo, Conceal, Exhibition, Jeanne-Claude, Frieze London, Lucio Fontana, Gagosian, Gagosian Open, Georgian, Elena Geuna, Immigration, Will Jennings, London, Monumental, Scale, Sculpture, Spitalfields, Stranger, Travel, Unconscious, Wrapping



00133
London’s socio-political modernism through photography

Veronica Simpson

Architectural Review, Peter Barstow, Ian Berry, Croydon, Deptford, Norman Foster, Gareth Gardner, Gareth Gardner Gallery, Tim George, Healthcare, Housing, Immigration, Lewisham, Tim Livsey, London, Manplan, Freddie Miller, Modernism, Danilo Murru, Newcastle, Stephen Parnell, Pepys Estate, Photography, Photojournalism, Planning, Preston bus garage, James Price, Tony Ray-Jones, RIBA, Schools, Veronica Simpson, Tom Smith, Socio-political, Tim Street-Porter, Patrick Ward



   

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