︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00187
Venice Biennale: Anna Jermolaewa’s refugee stories in the Austrian pavilion
Austria
,
Ballet
,
Venice Biennale
,
Flowers
,
Anna Jermolaewa
,
Homelessness
,
Hostile architecture
,
Leningrad
,
Music
,
Refugee
,
Revolution
,
Oksana Serheieva
,
Soviet Union
,
Gabriele Spindler
,
Swan Lake
,
Telephone
,
Telephone booth
,
Traiskirchen
,
Urban furniture
,
USSR
,
Vinyl
,
X-ray
00163
With irony & humour, Dora Budor transforms architectural expectations
Steve Taylor
Bicycle
,
Trisha Brown
,
Dora Budor
,
Caruso St John
,
Michel de Certeau
,
Gilles Deleuze
,
Barry Diller
,
Michel Foucault
,
Elsa von Freytag-Loringhoven
,
David Harvey
,
Thomas Heatherwick
,
Herzog and de Meuron
,
Hostile architecture
,
Humour
,
Kunsthalle Basel
,
Little Island
,
Gordon Matta-Clark
,
Nottingham
,
Nottingham Contemporary
,
Piss
,
Selfies
,
Steve Taylor
,
Nicholas Tammens
,
Urban design
,
Urine
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Venice
Biennale 2025: part 3,
the 
