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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
ugly

Venice Biennale 2025: part 2, the b
ad

Venice Biennale 2025: part 1, the good











00187
Venice Biennale:  Anna Jermolaewa’s refugee stories in the Austrian pavilion

Austria, Ballet, Venice Biennale, Flowers, Anna Jermolaewa, Homelessness, Hostile architecture, Leningrad, Music, Refugee, Revolution, Oksana Serheieva, Soviet Union, Gabriele Spindler, Swan Lake, Telephone, Telephone booth, Traiskirchen, Urban furniture, USSR, Vinyl, X-ray



   

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