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The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the ugly

Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good

Temporary & permanent culture finds a place in Middlesbrough

Will Jennings











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Venice Biennale:  Anna Jermolaewa’s refugee stories in the Austrian pavilion

Austria, Ballet, Venice Biennale, Flowers, Anna Jermolaewa, Homelessness, Hostile architecture, Leningrad, Music, Refugee, Revolution, Oksana Serheieva, Soviet Union, Gabriele Spindler, Swan Lake, Telephone, Telephone booth, Traiskirchen, Urban furniture, USSR, Vinyl, X-ray



   

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