︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00261
The message is the bottle: Claes Oldenburg & Coosje van Bruggen in Middlesbrough
Steve Taylor
Cecil Balmond
,
Bottle of Notes
,
British Steel
,
Coosje van Bruggen
,
Nell Catchpole
,
James Cook
,
Rachel Deakin
,
Heritage
,
Jonathan Jones
,
Anish Kapoor
,
Middlesbrough
,
MIMA
,
Claes Oldenburg
,
Edgar Allan Poe
,
Regeneration
,
Sculpture
,
Steve Taylor
,
Teesside Combined Court Centre
,
Tenemos
,
Sam Venables
,
Venus
,
Webb-Ellis
,
Writing
00163
With irony & humour, Dora Budor transforms architectural expectations
Steve Taylor
Bicycle
,
Trisha Brown
,
Dora Budor
,
Caruso St John
,
Michel de Certeau
,
Gilles Deleuze
,
Barry Diller
,
Michel Foucault
,
Elsa von Freytag-Loringhoven
,
David Harvey
,
Thomas Heatherwick
,
Herzog and de Meuron
,
Hostile architecture
,
Humour
,
Kunsthalle Basel
,
Little Island
,
Gordon Matta-Clark
,
Nottingham
,
Nottingham Contemporary
,
Piss
,
Selfies
,
Steve Taylor
,
Nicholas Tammens
,
Urban design
,
Urine
00146
Capability Brown meets AI: the perverted nature of Daniel Ambrosi
Steve Taylor
AI
,
Daniel Ambrosi
,
Artificial Intelligence
,
Beeple
,
John Berger
,
Blenheim Palace
,
Capability Brown
,
Chatsworth House
,
Compton Verney
,
DeepDream
,
Digital
,
Google
,
Landscape
,
Claude Lorrain
,
Sunil Manghani
,
Arthur I Miller
,
Nature
,
Photography
,
Picturesque
,
Robilant + Voena
,
Steffie Shields
,
Steve Taylor
,
Stowe Gardens
,
Technology
,
Uncanny valley
TRAVEL
ABOUT
NEWSLETTER
INDEX
︎
