︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00163
With irony & humour, Dora Budor transforms architectural expectations
Steve Taylor
Bicycle
,
Trisha Brown
,
Dora Budor
,
Caruso St John
,
Michel de Certeau
,
Gilles Deleuze
,
Barry Diller
,
Michel Foucault
,
Elsa von Freytag-Loringhoven
,
David Harvey
,
Thomas Heatherwick
,
Herzog and de Meuron
,
Hostile architecture
,
Humour
,
Kunsthalle Basel
,
Little Island
,
Gordon Matta-Clark
,
Nottingham
,
Nottingham Contemporary
,
Piss
,
Selfies
,
Steve Taylor
,
Nicholas Tammens
,
Urban design
,
Urine
00119
A model of radical empathy: Barcelona’s architecture festival
Augmented reality
,
Ethel Baraona
,
Barcelona
,
Besler & Sons
,
Civic
,
Ada Colau
,
Jaume Collboni
,
Digital
,
El Clot
,
Victor Enrich
,
Equal Saree
,
Eva Franch i Gilabert
,
DHUB
,
Fermín Vázquez Arquitectos
,
Festival
,
Mar Gené
,
Gran Clariana Area
,
h3O Architects
,
Harrison Atelier
,
Daryan Knoblauch
,
Kosmos Architects
,
Landscape
,
MBM
,
Mercats dels Encants
,
Model Barcelona Architecture Festival
,
Farah Michel
,
Mycelium
,
Jean Nouvel
,
Parabase
,
Public space
,
Protest
,
Radical Empathy
,
Reuse
,
San Jordi
,
Torres Glòries
,
Tiffany B Whittaker
,
Urban design
,
Noa Yarkoni
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INDEX
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Venice
Biennale 2025: part 3,
the 
