︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00200
Art & music combine in The Vinyl Factory’s immersive soundscape
180 Studios
,
Cecilia Bengolea
,
Columbia Records
,
Dance
,
Es Devlin
,
Stan Douglas
,
Film
,
Theaster Gates
,
Jean Luc Godard
,
The Vinyl Factory
,
Ben Kelly
,
Jenn Nkiru
,
Music
,
Sound
,
Stage
,
Vinyl
00187
Venice Biennale: Anna Jermolaewa’s refugee stories in the Austrian pavilion
Austria
,
Ballet
,
Venice Biennale
,
Flowers
,
Anna Jermolaewa
,
Homelessness
,
Hostile architecture
,
Leningrad
,
Music
,
Refugee
,
Revolution
,
Oksana Serheieva
,
Soviet Union
,
Gabriele Spindler
,
Swan Lake
,
Telephone
,
Telephone booth
,
Traiskirchen
,
Urban furniture
,
USSR
,
Vinyl
,
X-ray
00185
A clash of solid & ephemeral colour: David Batchelor at Cecilia Brunson Projects
David Batchelor
,
Beads
,
Breezeblock
,
Scarlett Bunce
,
Cecilia Brunson Projects
,
Colour
,
Concrete
,
Lauren Godfrey
,
Light
,
Catherine-Marie Longtin
,
Quilts
,
Vinyl
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︎
Venice
Biennale 2025: part 3,
the 
