︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00278
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Robert Barry
Barbican
,
Robert Barry
,
Douglas Gordon
,
Kalle Aldis Laar
,
Christian Marclay
,
Stephanie Loveless
,
MOMENTUM
,
Moss
,
Norway
,
Mélia Roger
,
Phone
,
Avital Ronnell
,
Morten Søndergaard
,
Telephone
,
Maia Urstad
,
Carl Michael von Hausswolf
00187
Venice Biennale: Anna Jermolaewa’s refugee stories in the Austrian pavilion
Austria
,
Ballet
,
Venice Biennale
,
Flowers
,
Anna Jermolaewa
,
Homelessness
,
Hostile architecture
,
Leningrad
,
Music
,
Refugee
,
Revolution
,
Oksana Serheieva
,
Soviet Union
,
Gabriele Spindler
,
Swan Lake
,
Telephone
,
Telephone booth
,
Traiskirchen
,
Urban furniture
,
USSR
,
Vinyl
,
X-ray
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