︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00187
Venice Biennale: Anna Jermolaewa’s refugee stories in the Austrian pavilion
Austria
,
Ballet
,
Venice Biennale
,
Flowers
,
Anna Jermolaewa
,
Homelessness
,
Hostile architecture
,
Leningrad
,
Music
,
Refugee
,
Revolution
,
Oksana Serheieva
,
Soviet Union
,
Gabriele Spindler
,
Swan Lake
,
Telephone
,
Telephone booth
,
Traiskirchen
,
Urban furniture
,
USSR
,
Vinyl
,
X-ray
00081
UnLearning with Scotland’s Architecture Fringe
Architecture Fringe
,
Biennial
,
Collaboration
,
Community
,
Edinburgh
,
Education
,
Evolution
,
Festival
,
Land
,
Migrant’s Bureau
,
NOOMA
,
Play
,
Publication
,
Revolution
,
Tottenham
,
Union Canal
,
Unlearning
,
Value
,
Race
,
Scotland
00059
Paul Raftery’s silent photographs of protest past
Anise Gallery
,
Budapest
,
Crowd
,
Gdansk
,
Leipzig
,
Prague
,
Protest
,
Paul Raftery,
Revolution
,
Riga
,
Sofia
,
Square
,
Tallinn
,
Timisoara
,
Uprising
,
Urban space
,
Vilnius
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INDEX
︎
Venice
Biennale 2025: part 3,
the 
