︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00290
Learning how to live at Venice Biennale
Rob Fiehn
Alejandro Aravena
,
Austria
,
Community
,
Concrete
,
Drama
,
ELEMENTAL
,
Estonia
,
Exhibition design
,
Rob Fiehn
,
France
,
House
,
Housing
,
Insulation
,
Jakob+MacFarlane
,
Keiti Lige
,
Elina Liiva
,
Helena Männa
,
Holcim
,
Michael Obrist
,
Sabine Pollak
,
Märten Rattasepp
,
Renewal Development
,
Retrofit
,
Rome
,
Lorenzo Romito
,
Venice
,
Venice Biennale
,
Vienna
00187
Venice Biennale: Anna Jermolaewa’s refugee stories in the Austrian pavilion
Austria
,
Ballet
,
Venice Biennale
,
Flowers
,
Anna Jermolaewa
,
Homelessness
,
Hostile architecture
,
Leningrad
,
Music
,
Refugee
,
Revolution
,
Oksana Serheieva
,
Soviet Union
,
Gabriele Spindler
,
Swan Lake
,
Telephone
,
Telephone booth
,
Traiskirchen
,
Urban furniture
,
USSR
,
Vinyl
,
X-ray
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INDEX
︎
Venice
Biennale 2025: part 3,
the 
