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Cerith Wyn Evans  glows in MAAT, Lisbon

Will Jennings

Ursula K Le Guin’s speculative cartography

Sam Moore

The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
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Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau

Creeping, Domestic, Sam Godfrey, House of Annetta, LGBTQ, Ruby Loewe, Barney Pau, Annetta Pedretti, Rose Schmits, Spitalfields, Marf Summers, Trans, Transgender, Queer



   

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