︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00290
Learning how to live at Venice Biennale
Rob Fiehn
Alejandro Aravena
,
Austria
,
Community
,
Concrete
,
Drama
,
ELEMENTAL
,
Estonia
,
Exhibition design
,
Rob Fiehn
,
France
,
House
,
Housing
,
Insulation
,
Jakob+MacFarlane
,
Keiti Lige
,
Elina Liiva
,
Helena Männa
,
Holcim
,
Michael Obrist
,
Sabine Pollak
,
Märten Rattasepp
,
Renewal Development
,
Retrofit
,
Rome
,
Lorenzo Romito
,
Venice
,
Venice Biennale
,
Vienna
00114
In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet
Will Jennings
3D printing
,
Baroque
,
BRH+
,
Gian Lorenzo Bernini
,
Théophile Blandet
,
Barbara Brondi
,
Centre d’art Contemporain Genève
,
Chair
,
Craft
,
Design
,
Digital
,
Floor
,
France
,
Furniture
,
Geneva
,
HR Giger
,
Industrial
,
Will Jennings
,
Audrey Large
,
lighting
,
Melting
,
Morphosis
,
Ovid
,
Plastic
,
Product design
,
Marco Rainò
,
Rococo
,
Sculpture
,
Suminagashi
,
Switzerland
,
Wood
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