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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
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Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good











00262
Poetically tending Derek Jarman’s garden: Modern Nature at the Barbican

Will Jennings

AIDS, Olly Alexander, Beach, Barbican, Bold Tendancies, Jessie Buckley, Clouds, Keith Collins, Creative Folkestone, James Dacre, Omari Douglas, Dungeness, Shaun Evans, Simon Fisher Turner, Garden, HIV, Illness, Derek Jarman, Will Jennings, Gilbert McCarragher, Music, Modern Nature, Nature, Kele Okereke, Pebbles, Performance, Prospect Cottage, Sea, Section 28, Shingle, Valgeir Sigurðsson, Slow Motion, The Garden, The Last of England, Tilda Swinton, Margaret Thatcher, Jessica Walker, Nils Wanderer, Weather, Will Young



00141
Active laziness & creative pleasure: Hélio Oiticica at the De La Warr Pavilion

Lara Chapman

Beach, Bexhill-on-Sea, Brazil, Lara Chapman, Serge Chermayeff, Cocaine, Corridor, Creleisure, Criticism, Curtain, Neville D’Almeida, De La Warr Pavilion, Drug wars, East Sussex, Hammock, Labyrinth, Laziness, Leisure, Lights, Maze, Erich Mendelsohn, News, Hélio Oiticica, Jimmi Hendrix, Orange juice, Participant, Passivity, Plastic, Pleasure, Politics, Sculpture, Structure, Sussex Modern, Work



00036
Sun & Sea: A beach holiday transformed as ecological opera

Albany Theatre, Rugilė Barzdžiukaitė, Beach, Climate, Deptford, Ecology, Vaiva Grainytė, Guggenheim Museum, David Grandorge, Howell Killick Partridge & Amis. Lina Lapelytė, Lithuania, Nature, Opera, John Partridge, Performance, Sea, Sun, Sun & Sea, Theatre, Travel, Venice Biennale, Witherford Watson Mann architects



   

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