︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00262
Poetically tending Derek Jarman’s garden: Modern Nature at the Barbican
Will Jennings
AIDS
,
Olly Alexander
,
Beach
,
Barbican
,
Bold Tendancies
,
Jessie Buckley
,
Clouds
,
Keith Collins
,
Creative Folkestone
,
James Dacre
,
Omari Douglas
,
Dungeness
,
Shaun Evans
,
Simon Fisher Turner
,
Garden
,
HIV
,
Illness
,
Derek Jarman
,
Will Jennings
,
Gilbert McCarragher
,
Music
,
Modern Nature
,
Nature
,
Kele Okereke
,
Pebbles
,
Performance
,
Prospect Cottage
,
Sea
,
Section 28
,
Shingle
,
Valgeir Sigurðsson
,
Slow Motion
, T
he Garden
,
The Last of England
,
Tilda Swinton
,
Margaret Thatcher
,
Jessica Walker
,
Nils Wanderer
,
Weather
,
Will Young
00129
From Kinga Oktabska’s studio: fragmented landscapes & found histories
Kinga Oktabska
Battersea
,
Brick
,
Community
,
Development
,
Drawing
,
Factory
,
Fragments
,
Gentrification
,
Hypha Studios
,
Landscape
,
Lower Silesia
,
Metalpoint
,
Mudlarking
,
Nine Elms
,
Kinga Oktabska
,
Pebbles
,
Pipes
,
Poland
,
Porcelain
,
Property
,
River
,
River Thames
,
Rubble
,
Silk
,
Stories
,
Studio
,
Thames
,
Tide
,
Pawel Tomaszewski
,
Waste
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