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In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts

An interview with Mike Nelson on architectural sculpture & the making of place

Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out

Will Jennings

Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent

Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city

Will Jennings

 











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Poetically tending Derek Jarman’s garden: Modern Nature at the Barbican

Will Jennings

AIDS, Olly Alexander, Beach, Barbican, Bold Tendancies, Jessie Buckley, Clouds, Keith Collins, Creative Folkestone, James Dacre, Omari Douglas, Dungeness, Shaun Evans, Simon Fisher Turner, Garden, HIV, Illness, Derek Jarman, Will Jennings, Gilbert McCarragher, Music, Modern Nature, Nature, Kele Okereke, Pebbles, Performance, Prospect Cottage, Sea, Section 28, Shingle, Valgeir Sigurðsson, Slow Motion, The Garden, The Last of England, Tilda Swinton, Margaret Thatcher, Jessica Walker, Nils Wanderer, Weather, Will Young



00190
Planting for a better future: Olivia Laing’s Garden Against Time

Tim Waterman

Benton End, Biodiversity, John Clare, Common land, Enclosure, Garden, Gardening, Fergus Garrett, Gay, Great Dixter, Homophobia, Derek Jarman, Labour, Olivia Laing, Landscape, LGBTQ, Claude Lorraine, John Milton, Cedric Morris, William Morris, Nature, Ian Patterson, Politics, Prospect Cottage, Queer, Rewilding, Mark Rumary, WG Sebald, Suffolk, Donald Trump, Utopia, Tim Waterman, Horace Walpole



   

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