︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00262
Poetically tending Derek Jarman’s garden: Modern Nature at the Barbican
Will Jennings
AIDS
,
Olly Alexander
,
Beach
,
Barbican
,
Bold Tendancies
,
Jessie Buckley
,
Clouds
,
Keith Collins
,
Creative Folkestone
,
James Dacre
,
Omari Douglas
,
Dungeness
,
Shaun Evans
,
Simon Fisher Turner
,
Garden
,
HIV
,
Illness
,
Derek Jarman
,
Will Jennings
,
Gilbert McCarragher
,
Music
,
Modern Nature
,
Nature
,
Kele Okereke
,
Pebbles
,
Performance
,
Prospect Cottage
,
Sea
,
Section 28
,
Shingle
,
Valgeir Sigurðsson
,
Slow Motion
, T
he Garden
,
The Last of England
,
Tilda Swinton
,
Margaret Thatcher
,
Jessica Walker
,
Nils Wanderer
,
Weather
,
Will Young
00190
Planting for a better future: Olivia Laing’s Garden Against Time
Tim Waterman
Benton End
,
Biodiversity
,
John Clare
,
Common land
,
Enclosure
,
Garden
,
Gardening
,
Fergus Garrett
,
Gay
,
Great Dixter
,
Homophobia
,
Derek Jarman
,
Labour
,
Olivia Laing
,
Landscape
,
LGBTQ
,
Claude Lorraine
,
John Milton
,
Cedric Morris
,
William Morris
,
Nature
,
Ian Patterson
,
Politics
,
Prospect Cottage
,
Queer
,
Rewilding
,
Mark Rumary
,
WG Sebald
,
Suffolk
,
Donald Trump
,
Utopia
,
Tim Waterman
,
Horace Walpole
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