︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00240
Chiharu Shiota weaves soft immersive poetry in the hard architecture of Kunsthalle Praha
Will Jennings
Marina Abramović
,
Black
,
Boat
,
Body
,
Concrete
,
Electricity
,
Home
,
Rebecca Horn
,
Will Jennings
,
Kunstahalle Praha
,
Piano
,
Prague
,
Psychology
,
Red
,
Schindler Seko
,
Chiharu Shiota
,
String
,
Thread
,
Trams
,
Vlatva
00157
Jason Wilsher-Mills in Wakefield: sculpture, disability, care & an Amazonian Caiman God
Will Jennings
Amazon
,
Boat
,
Bronze
,
Caiman
,
Care
,
Carers
,
Sebastian Coe
,
Edward Colston
,
Conservative party
,
Damien Hirst
,
Disability
,
God
,
Will Jennings
,
Alison Lapper
,
Mobility
,
Monument
,
Moscow Olympics
,
Parents
,
Public art
,
Marc Quinn
,
Sculpture
,
SHAPE Arts
,
Statue
,
Taxidermy
,
Ticket offices
,
Underpants
,
Venice Biennale
,
Jason Wilsher-Mills
,
Wakefield
,
Walton Hall
,
Charles Waterton
,
Wheelchair
,
Wellcome Collection
,
Yorkshire
TRAVEL
ABOUT
NEWSLETTER
INDEX
︎
Venice
Biennale 2025: part 3,
the 
