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Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings

Helmut Lang’s bodily sculptures speak to the fragility of LA’s Schindler House

Will Jennings

Despite everything, Valentina Karga invites us to be well at Kunstmuseum Bochum

Alison Hugill

An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian

Will Jennings













00240
Chiharu Shiota weaves soft immersive poetry in the hard architecture of Kunsthalle Praha

Will Jennings

Marina Abramović, Black, Boat, Body, Concrete, Electricity, Home, Rebecca Horn, Will Jennings, Kunstahalle Praha, Piano, Prague, Psychology, Red, Schindler Seko, Chiharu Shiota, String, Thread, Trams, Vlatva



00157
Jason Wilsher-Mills in Wakefield: sculpture, disability, care & an Amazonian Caiman God

Will Jennings

Amazon, Boat, Bronze, Caiman, Care, Carers, Sebastian Coe, Edward Colston, Conservative party, Damien Hirst, Disability, God, Will Jennings, Alison Lapper, Mobility, Monument, Moscow Olympics, Parents, Public art, Marc Quinn, Sculpture, SHAPE Arts, Statue, Taxidermy, Ticket offices, Underpants, Venice Biennale, Jason Wilsher-Mills, Wakefield, Walton Hall, Charles Waterton, Wheelchair, Wellcome Collection, Yorkshire



   

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