Africa, Njideka Akunyili Crosby, Hurvin Anderson, Lisa Anderson, Black, Black Cultural Archives, Phoebe Boswell, Britain, Brixton, Diaspora, Kimathi Donkor, Dulwich Picture Gallery, EVEWRIGHT, Jermaine Francis, Isaac Julien, Christina Kimeze, Landscape, London, Che Lovelace, Kimathi Mafafo, Mónica de Miranda, Nengi Omuku, Ravelle Pillay, Ingrid Pollard, Jelena Sofronijevic, Bolanle Tajudeen, Van Gogh House, Alberta Whittle
Anthropocene, Black, Sofia Borges, Brassaï, Caruso St John, Cave, Cave painting, Center for Land Use Interpretation, Dark, Darkness, Degas, Fire, Barry Flanagan, Fourth Plinth, Leo Frobenius, Glucksman, Grotto, Alberto Giacometti, Hayward Gallery, Athanasius Kircher, Paul Klee, Goshka Macuga, René Magritte, Henry Moore, Nottingham, Nottingham Contemporary, Elisabeth Pauli, Plato, Jackson Pollack, RAMM, Ben Rivers, Science fiction, Space, Subterrannia, Subterrannian, Technology, Threshold, Caragh Thuring, Underground, Vesuvius, Volcano, Mark von Schlegell, Jeff Wall, Joseph Wright of Derby
FWR Associati, Black, Galerie Kamel Mennour, Galleria Continua,Galleria dell’Accademia, Galleria Massimo Minini, Anish Kapoor, Kukje Gallery, Lisson Gallery, Andrea Palladio, Palazzo Manfrin, Barnett Newman, Psychology, Regen Projects, Saint Thomas, SCAI The Bathhouse, Space, Teatro Olimpico, Vantablack, Venice, Venice Biennale