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Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery
Rob Fiehn
From Bauhaus to birdhouse: world famous architects’ avian designs for charity
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Jason Wilsher-Mills in Wakefield: sculpture, disability, care & an Amazonian Caiman God
Will Jennings
Amazon
,
Boat
,
Bronze
,
Caiman
,
Care
,
Carers
,
Sebastian Coe
,
Edward Colston
,
Conservative party
,
Damien Hirst
,
Disability
,
God
,
Will Jennings
,
Alison Lapper
,
Mobility
,
Monument
,
Moscow Olympics
,
Parents
,
Public art
,
Marc Quinn
,
Sculpture
,
SHAPE Arts
,
Statue
,
Taxidermy
,
Ticket offices
,
Underpants
,
Venice Biennale
,
Jason Wilsher-Mills
,
Wakefield
,
Walton Hall
,
Charles Waterton
,
Wheelchair
,
Wellcome Collection
,
Yorkshire
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︎
Venice
Biennale 2025: part 2,
the b
Venice
Biennale 2025: part 1,
the good
