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Temporary & permanent culture finds a place in Middlesbrough

Will Jennings

The recessed.space highlights from Frieze Art Fair 2025

Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery

Rob Fiehn

From Bauhaus to birdhouse: world famous architects’ avian designs for charity

In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts

Lorenzo Graf
Riccardo Buck

An interview with Mike Nelson on architectural sculpture & the making of place

 











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Jupiter Artland: a Scottish landscape packed with uncanny, playful & enormous art

Will Jennings

Laura Aldridge, Amethyst, Phyllida Barlow, Bonnington House, Pablo Bronstein, Henry Castle, Cemetery, Ceramics, Nathan Coley, Edinburgh, Edinburgh Art Festival, Folly, Forest, Fountain, Anya Gallaccio, Andy Goldsworthy, Antony Gormley, Gothic, Graveyard, Grotto, Ian Hamilton Finlay, Jacobean, Charles Jencks, Will Jennings, Jupiter, Jupiter Artland, Anish Kapoor, Landscape, Peter Liversidge, Rachel Maclean, Modern Institute, Painting, Cornelia Parker, Rock, Andrew Sims, Stone, Temple, Trees, Marc Quinn, Joana Vasconcelos, Water, Nicky Wilson, Robert Wilson, Woods



00157
Jason Wilsher-Mills in Wakefield: sculpture, disability, care & an Amazonian Caiman God

Will Jennings

Amazon, Boat, Bronze, Caiman, Care, Carers, Sebastian Coe, Edward Colston, Conservative party, Damien Hirst, Disability, God, Will Jennings, Alison Lapper, Mobility, Monument, Moscow Olympics, Parents, Public art, Marc Quinn, Sculpture, SHAPE Arts, Statue, Taxidermy, Ticket offices, Underpants, Venice Biennale, Jason Wilsher-Mills, Wakefield, Walton Hall, Charles Waterton, Wheelchair, Wellcome Collection, Yorkshire



   

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