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V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings

Helmut Lang’s bodily sculptures speak to the fragility of LA’s Schindler House

Will Jennings

Despite everything, Valentina Karga invites us to be well at Kunstmuseum Bochum

Alison Hugill

An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian

Will Jennings

A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings













00201
Jupiter Artland: a Scottish landscape packed with uncanny, playful & enormous art

Will Jennings

Laura Aldridge, Amethyst, Phyllida Barlow, Bonnington House, Pablo Bronstein, Henry Castle, Cemetery, Ceramics, Nathan Coley, Edinburgh, Edinburgh Art Festival, Folly, Forest, Fountain, Anya Gallaccio, Andy Goldsworthy, Antony Gormley, Gothic, Graveyard, Grotto, Ian Hamilton Finlay, Jacobean, Charles Jencks, Will Jennings, Jupiter, Jupiter Artland, Anish Kapoor, Landscape, Peter Liversidge, Rachel Maclean, Modern Institute, Painting, Cornelia Parker, Rock, Andrew Sims, Stone, Temple, Trees, Marc Quinn, Joana Vasconcelos, Water, Nicky Wilson, Robert Wilson, Woods



00157
Jason Wilsher-Mills in Wakefield: sculpture, disability, care & an Amazonian Caiman God

Will Jennings

Amazon, Boat, Bronze, Caiman, Care, Carers, Sebastian Coe, Edward Colston, Conservative party, Damien Hirst, Disability, God, Will Jennings, Alison Lapper, Mobility, Monument, Moscow Olympics, Parents, Public art, Marc Quinn, Sculpture, SHAPE Arts, Statue, Taxidermy, Ticket offices, Underpants, Venice Biennale, Jason Wilsher-Mills, Wakefield, Walton Hall, Charles Waterton, Wheelchair, Wellcome Collection, Yorkshire



   

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