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Venice Biennale 2025: part 3, the ugly

Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good

Temporary & permanent culture finds a place in Middlesbrough

Will Jennings

The recessed.space highlights from Frieze Art Fair 2025

Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery

Rob Fiehn











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Chiharu Shiota weaves soft immersive poetry in the hard architecture of Kunsthalle Praha

Will Jennings

Marina Abramović, Black, Boat, Body, Concrete, Electricity, Home, Rebecca Horn, Will Jennings, Kunstahalle Praha, Piano, Prague, Psychology, Red, Schindler Seko, Chiharu Shiota, String, Thread, Trams, Vlatva



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Venice Biennale: Osman Yousefzada’s Palazzo for Immigrants

Hadeel Eltayeb

Hadeel Eltayeb, Fashion, Fondazione Berengo, Glass, Home, Hospitality, Immigration, Knots, Labour, Midlands, Mother, Murano, Production, Nadja Romain, Amin Jaffer, Palazzo Franchetti, Venice Biennale, Victoria & Albert Museum, Osman Yousefzada



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Mancunian ecologies: A Fine Toothed Comb, curated by Lubaina Himid

Paul Dobraszczyk

Birds, Birdsong, Rebecca Chesney, Cities, Mike Davis, Paul Dobraszczyk, Ecology, Friedrich Engels, Geology, Tracy Hill, Lubaina Himid, HOME, Karol Poznański Palace, Lithography, Łódź, Łódź library, Manchester, Painting, RSPB, Salford, Sculpture, Ian Simpson, Skyscraper, Magda Stawarska, Textile, Urban ecology, Textile, Tony Wilson



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Cities & sculpture: An interview with Ai Weiwei

Ai Weiwei
Will Jennings

Architecture, Activism, Antiques, Beijing, Cambridge, Craft, Covid, Documenta, Domestic, Film, Hong Kong, Home, Infrastructure, Jade, Will Jennings, Kettle’s Yard, Landscape, Lisson Gallery, Marble, Material, Politics, Protest, Sculpture, Ai Weiwei



   

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