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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
ugly

Venice Biennale 2025: part 2, the b
ad

Venice Biennale 2025: part 1, the good











00240
Chiharu Shiota weaves soft immersive poetry in the hard architecture of Kunsthalle Praha

Will Jennings

Marina Abramović, Black, Boat, Body, Concrete, Electricity, Home, Rebecca Horn, Will Jennings, Kunstahalle Praha, Piano, Prague, Psychology, Red, Schindler Seko, Chiharu Shiota, String, Thread, Trams, Vlatva



00202
Venice Biennale: Osman Yousefzada’s Palazzo for Immigrants

Hadeel Eltayeb

Hadeel Eltayeb, Fashion, Fondazione Berengo, Glass, Home, Hospitality, Immigration, Knots, Labour, Midlands, Mother, Murano, Production, Nadja Romain, Amin Jaffer, Palazzo Franchetti, Venice Biennale, Victoria & Albert Museum, Osman Yousefzada



00143
Mancunian ecologies: A Fine Toothed Comb, curated by Lubaina Himid

Paul Dobraszczyk

Birds, Birdsong, Rebecca Chesney, Cities, Mike Davis, Paul Dobraszczyk, Ecology, Friedrich Engels, Geology, Tracy Hill, Lubaina Himid, HOME, Karol Poznański Palace, Lithography, Łódź, Łódź library, Manchester, Painting, RSPB, Salford, Sculpture, Ian Simpson, Skyscraper, Magda Stawarska, Textile, Urban ecology, Textile, Tony Wilson



00018
Cities & sculpture: An interview with Ai Weiwei

Ai Weiwei
Will Jennings

Architecture, Activism, Antiques, Beijing, Cambridge, Craft, Covid, Documenta, Domestic, Film, Hong Kong, Home, Infrastructure, Jade, Will Jennings, Kettle’s Yard, Landscape, Lisson Gallery, Marble, Material, Politics, Protest, Sculpture, Ai Weiwei



   

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